imageBy way of a part of a comment by Hugh Farey on Colin Berry’s blog we have a quick fly-on-the-wall summary of the BSTS meeting. Here is some of that comment while we await a report on the meeting:

. . . [T]he BSTS meeting was interesting (particularly as there were life-size photos to pore over), and although in principle extremely controversial, very polite! David Rolfe did not pursue the Dawkins Challenge at all. He read out a goodwill message from Ian Wilson (now living in New Zealand) with interpolations of his own, from which two new movements came to light. Someone in America is reviewing the pollen sample slides, both those taken by Max Frie and those by other members of the STURP team, with a view to explaining the rather different interpretations different people have made of them; and also (quite exciting) a mould for making Lirey/Cluny pilgrimage badges has been found. I didn’t know about that, but immediately Googled “Lirey pelerinage moule” and find a photo of it as the front cover of a book – still only published in France as yet. It does not seem to be the mould for the famous badge, but certainly for one very similar.

Thomas de Wesselow then expounded in detail why he thought the two components of the shroud image, image and blood, were “technically, stylistically and conceptually” incompatible with 14th century art or forgery (I know you and many others disagree, and he did not reveal anything blindingly new, but he set out his arguments clearly and with many illustrations), . . .

Finally a medical lady whose name I didn’t catch ran through the image as pathology, with some real Roman nails and a flagrum mock-up based on the famous remains found in Pompei. It was interesting for me as I had only seen these things on telly before, but not revelatory; and Tony Luby, a teacher, explained how he used the shroud in his RCRE classes.

Link to book cover at Amazon.com that shows mold mentioned above. 

The full comment also deals with scorching experiments.