Rebecca of the Yale University School of Art writes:
It is something cartoonists do but can never explain. Setting aside for the moment props like FDR’s cigarette holder or Charley Chaplin’s bowler and cane, cartoonists with only facial attributes to go on simultaneously minimize and exaggerate what they see to make people instantly recognizable. We can see it has nothing to do with Vignony like markings or points of congruence and everything to do with artistic genius. Ask yourself how it is we recognize these four presidents.
I don’t know and neither do you.
Ask yourself how it is it that we know the sculpture in a dried up apple looks like Jack Nicholson as the Joker. Is it the great lips, the eyes, points of congruence or some Vignony like markings? It is something no one can explain.
The artists of early Christianity portrayed Jesus based on something. Maybe it was the Shroud which is what I think. I can’t explain why, however. One thing I am sure of though, you can’t claim anything based on a fake scientific method like points of congruence. There is no such method for matching faces.
Note: The examples were attached to an email. I resized them and inserted them into the email where it seemed appropriate.
If it is the shroud perhaps it explains the poker holes
Is this what is now known as the Shroud of Turin being carried through the streets of Constantinople.?
(Click on the picture for a larger view)
Pam Moon writes:
. . .
Last year I spent a lot of time with the Madrid Skylitzes and I wondered if you would be interested in the image which doesn’t fit at all.
It is one of the finest images in the Madrid Skylitzes and the one every google search picks up.
But it is the equivalent of of putting a modern day company of Navy Seals into a picture of the Battle of Gettysburg.
The army in the image is the Varangian Guard (pg 16/17) It doesn’t fit – it is 160 years out of date.
Is the image actually of the Shroud in the 1036 exposition through the streets of Constantinople which has been redacted by a later copyist to make it fit a wrong part of history?
If it is perhaps it explains the poker holes on the Shroud?
Pam has put together a paper, The Shroud of Turin in Constantinople? Paper I: An analysis of the L Shaped markings on the Shroud of Turin and an examination of the Holy Mandylion and Holy Shroud in the Madrid Skylitzes . Take the time to read it. It is quite fascinating.