Colin Berry: “Personally I think the boniness is prima facie evidence for imprinting by a contact process.”
And O.K. with a short presentation with his hands, Shroud Scope and no comment …
One really very smart bartender who is something of amateur shroudie: What’ll it be today?
Me: Bud Light and a Chili Colorado, no pun intended. Did you have a chance to look at the CS that we talked about?
Bartender: Yes. I went to the chart you told me about [on page 73]. I picked the last item, Bone Structure [item B9.1]. It was one of only two items [out of 17] that the Colorado folk reckoned could not be produced by any other hypothesis other than Jackson’s Fall Through hypothesis that, by definition, is not a hypothesis. It can’t be tested.
Note to readers: Bone Structure is listed in CS 3.0 as “Class 1 Evidence: This rating is given to items of evidence that are firmly supported by empirical and/ or forensic research. To receive this rating there must be multiple corroborating research sources.” Personally, I have my doubts as this conversation, which is a reconstruction and not a transcript, unfolds. The above schematic of a hand is for me and others who are not as knowledgeable about the hand as this bartender is. A Chili Colorado at this establishment is a plate of sirloin tips in spicy red sauce wrapped in corn tortillas. Colorado, after all, means red.
Me: Let’s go through the bone structure item from the beginning. The description reads, “There are indicated images of finger bones all the way to the wrist on the left hand of the Shroud body.”
Bartender: In other words, “I think I see.”
Me: Or perhaps in the case of the CS you could say, “We think we see.”
Bartender: Right. Go on.
Me: It reads:
… The TSC research team has studied a broad spectrum of photographs of the Shroud hand area executed with different lighting approaches and technical equipment. The team has judged from their extensive studies, joining others who have reached the same conclusion, that the metacarpal bones & the left hand of the body can be observed extending all of the way to the wrist area….
Bartender: A wordy way of saying “We think we see.” And it has that “4 out of 5 doctors agree” like spiel you find in herbal remedy ads. There is no there-there in the statement.
Me: I agree. You could say the same thing about those NASA pictures of a big face on Mars. It is opinion based on visual observation. Many people have reached the same conclusion, too. Now continuing:
… These metacarpal bones are hard to observe in front-lit positive and negative photographs of the Shroud. They are somewhat easier to detect in ultraviolet photographs, backlit photographs and contrast enhanced images….
Bartender: Why is that? Without the why this means nothing. Without why it argues for a pareidolia explanation.
Me: It would be nice to see all these photographs in a convenient array so I could see if I agree. You have to admit these two photographs in the CS look convincing.
Bartender: Not really. Hold your hand up there over your laptop keyboard, palm facing down. Now look at the top of your hand in the light of the screen. That’s a bit of raking light there and you can see the metacarpals all the way to the wrist. I can’t say an artist wouldn’t paint this. Nor would I say it isn’t something you’d get with one of Colin Berry’s contact imprinting methods* or even something that might not show up in an unknown ancient photographic technique. There is something going on here but it doesn’t mean it applies to only one rather wild and crazy scheme of a cloth falling through a dematerializing body. The Xs on the chart are highly subjective, highly debatable, highly counter-argumentative.
Me: Let’s go on with the description:
… Perhaps the metacarpal bones are easiest to observe in edge-enhanced photographs. The work of Dr. Alan Whanger and Mary Whanger has made a significant contribution in this area. The Whangers used a technique of image-edge enhancement for the hand images that show the metacarpal bones quite clearly (see References for a full-length book published by the Whangers and a paper published in Applied Optics that document the Whanger methodology)….
Bartender: The only reference in the CS that I could see was for their polarized overlay method [on page 116]. Was that also about edge enhancement? Hmm? [That would be “Alan D. Whanger and Mary Whanger, Polarized image overlay technique: a new image comparison method and its application", Applied Optics, Vol 24, No.6 (15 Mardi 1985): 766-772.” as detailed in page 116 of theCS]
Me: It’s been years since I read it.
Bartender: Edge enhancement is pretty iffy stuff. The picture [above in yellow] looks like a pseudo-3D made by offsetting negatives on top of one another or maybe using PhotoShop edge methods. [see Wikipedia on Edge Enhancement]. It generates artifacts. Yes that is a pretty convincing when looking at the picture in an unquestioning way. Why do people only ever show the pictures that seem to support their theories and never all the pictures that don’t. Rub your fingertips across the metacarpal bones on your hand. Can you imagine some rubbing technique that would bring them out in a picture? Easily, right? Or look at photos of hands. They really are part of the visual feature. It doesn’t take a cloth falling through a body to make them part of the image.
Me: Good point. Let’s finish up. The description includes this:
… Similar techniques employed by the Whangers have suggested facial bones and images of teeth can be identified In the Shroud facial image.
Bartender: Yeah, right. And nails, part of a spear, a sponge tied to a reed, and one of those scroll thingies [phylactery] on the forehead. Give me a break. [See Council for Study of the Shroud of Turin]
* What Colin wrote almost two years ago:
Personally I think the boniness is prima facie evidence for imprinting by a contact process [rather] than one by radiation. With a contact process, it is just those parts of each finger that are approximately in the plane of the linen (i.e parallel) that make best contact, especially if there is applied pressure, and that is the top surface. One has only to go a few mm below that topmost plane, and the curvature of the finger means progressively less contact and pressure. There is also the likelihood of a tenting effect across the fingers that means poor imaging between the fingers. Now look at the Shroud image and you will see precisely the kind of shadowing one would expect.
Postings from the past that warrant attention include:
A Guest Posting by O.K. on the Allegedly Too-Long Fingers (including 16 comments)
Guest Posting: The Shroud of Turin – An X-Ray?
So, what do you think?