… I shall not be the first nor the last to say that this was originally a painted linen. MacCrone, of course, and then we have the late and lamented expert on painted linens, Caroline Villers, who talks of the Shroud as ‘one of the best-known surviving medieval images on a textile support’….
And just this morning the Duluth News Tribune ran this letter from one of its readers, Kenneth L. Johnson, a retired chemist who was trained in microscopic analysis by Dr. Walter McCrone at the McCrone Research Institute in Chicago.
On Nov. 1, the News Tribune published an article headlined, “Shroud of Turin mystery deepens.”
The mystery to me is how this subject continues to get press coverage. In the 1970s, Dr. Walter McCrone examined a portion of the shroud that was purported to contain dried blood. He found no blood, but he did find red ochre and vermillion paint particles. Dr. McCrone, who literally wrote the book on the analysis of microscopic particles (“The Particle Atlas,” published in six volumes from 1973 through 1979), was eminently qualified to conclude that the shroud was a 14th century painting. The “scientists” who refuted his work had no qualifications to perform the analyses on which they claimed to rely.
In fairness to Charles, he writes:
I have had several responses that say that my views are plausible or that i seem to be on the right lines so I can only sow seeds . One day I hope some expert will come up with the watertight evidence!
I, too, would like watertight evidence. But I doubt it will be what Charles hopes for. Colin Berry has certainly demonstrated how weak Charles’ argument is. I also doubt, even with watertight evidence, that the belief it is a painting will ever fade – no pun intended, Charles.