Nevertheless, the images are real enough!
Our resident Kiwi, daveb of wellington nz, of late, has been mentioning Giovanna de Liso, repeatedly, as we continue to struggle with an explanation for the images on the shroud He has been talking about de Liso since at least April of 2013. Most recently — like a couple of hours ago — in a comment to Because I Don’t See It, he wrote:
I have yet to see a satisfactory explanation of how or why Giovanna de Liso obtained her Shroud-like images from her 12 years of seismic experiments. A protegee of Giulio Fanti, I cannot believe that she faked them. However, neither Fanti nor anyone else has come with what to me might be a satisfactory explanation. She claims that she only ever obtained images under very specific conditions, including the detection of radon! Nevertheless, the images are real enough! […]
And, Hugh Farey, our resident 60/40 skeptic, quickly responded:
Daveb is quite right about the possibilities of geological explanations; they just haven’t been explored or quantified sufficiently for anything much to be said about them. Yet. […]
That woke me up this morning. I realized it is time to read or re-read, as the case may be, Shroud-like experimental image formation during seismic activity by Giovanna de Liso.
The abstract reads:
Seismic oxidative phenomena on vegetal structures and ferromagnetic rocks, occurring only along parallel surfaces to the ground, led me to verify experimentally if, naturally, in conjunction with earthquakes, it is possible to form images with a 3D character similar to Turin Shroud image, of objects placed between the two edges of linen cloths folded in two and soaked with different solutions. Some similarities with the Shroud image were obtained only on ferromagnetic rocks, during seismic radon emission, with electrostatic discharges and geomagnetic variations, in agreement with Lattarulo s theoretical hypothesis.
Why did I not pay more attention when the paper was included in the Proceedings of the International Workshop on the Scientific approach to the Acheiropoietos Images in Frascati in 2010? Did it then seem too much off-the-wall? And now, not?