Shall this become the future of the Shroud of Turin entries in Wikipedia, where every
person with an idea posts his own theory out there? What about the guy in Australia
who has discovered that if he tilts his laptop screen at a certain angle he can make
Jesus’s eyes open, thus proving he is alive. Or Stephen Jones (is there something
about the equator or something) who concludes that the carbon dating was hacked
by the KGB. And . . . oh, no, we don’t want to tip him off to the idea.
Yes, I’ve taken a leaf from Charles Freeman’s book, and submitted a brief synopsis of my ‘simulated sweat imprint’ idea to wikipedia. Charles sent his to the History of the Shroud page, but noting there was now a version of the same at the end of the main Shroud of Turin entry under "Recent Developments" . . .
Colin tells us that it was erased but . . .
Tried re-submitting my screed, but this time logging into wiki, which had fortunately remembered me from a long time ago, attempting to edit something or other (non-TS related).
My piece now appears like an old-fashioned ticker tape/ telegram at the end of the Recent Developments section, and I’m still none the wiser about how to format in wiki.
It remains on the page in a strange, so-called edit format. This is what it says after you clear it up a bit:
Shroud researcher Colin Berry (mentioned earlier) has recently made a significant modification to his belief that the body image was imprinted onto linen as a scorch from a heated template. He had originally speculated that the scorch technology had been chosen deliberately to represent either Templar Grand Master Jacques de Molay or Geoffroi de Charney midway through being slowly-roasted to death at the stake in Paris, with a fanciful imprinting of hot tissue onto a burial shroud. In that view the de Molay image was later‘re-invented’ as that of the crucified Jesus by additions of blood at the appropriate wound locations described in the New Testament accounts.
The Templar link has now been abandoned. While Berry still considers the TS image to be a contact scorch, he proposes that it was intended to be seen by the very first cohorts of pilgrims at Lirey in 1357 as the genuine sweat (and blood) imprint left on linen by the recumbent crucified Jesus (228,229) . In other words, the scorch technology was designed to simulate the appearance of an ancient sweat imprint, yellowed with age. That interpretation may have found a resonance with mid-14th century pilgrims, given that the highly venerated Veil of Veronica had been attracting large numbers at the same time, notably in the ‘Holy Year’ 1350, just 7 years prior to the first known Lirey display. The ‘Veronica’ too, according to legend, was initially a body imprint, solely of the facial features of Jesus, captured onto a bystander’s veil as she stepped forward in a charitable gesture to wipe sweat and blood from the face of Jesus as the latter passed by, bearing his cross to the site of execution at Calvary. Might this idea of sweat/blood imprinting have served as the inspiration for a medieval ‘thought experiment’ combining art and technology, imagining how a similar whole body imprint, both frontal and dorsal sides, of the recently deceased and traumatized (bloodied/sweat-soaked) Jesus might look after 13 centuries of ageing and yellowing?
Links to Berry’s ‘simulated sweat imprint’ hypothesis
Edit contributed by Colin Berry, Nov 23, 2014