The identification of Manoppello Cloth with the Veil of Veronica, allegedly stolen from St. Peters Basilica in 16th-17th century, is a very controversial matter, and there are both proponents1 and opponents2 of this idea. Here I want to show an evidence, that should settle the debate once and for all. If this is not proof, than what is it? 

One of the most characteristic features of the Manoppello cloth is its transparency. See the following pictures. On the left the Manoppello cloth3, on the right the Portrait of St. Veronica, attributed to Robert Campin (1375-1444)4




1 For example: Paul Badde, Boskie Oblicze, Całun z Manoppello (the polish edition of The
Face of God: The Rediscovery of the True Face of Jesus), Polwen, Radom 2006, Saverio Gaeta, Drugi Całun: Prawdziwa historia Oblicza Jezusa, Polwen, Radom 2007, Andreas Resch Oblicze Chrystusa: od Całunu Turyńskiego do Chusty z Manoppello, Polwen, Radom 2006 

2 Ian Wilson, Święte Oblicza (the polish edition of Holy Faces, Secret Places), Wydawnictwo da Capo 1994, Michael Hesemann, Milczący Świadkowie Golgoty (the polish edition of Die stummen zeugen von Golgatha), Wydawnictwo Salwator, Kraków 2006, 

3 Taken from  

4 Taken from