I must admit, however, that I can’t see anything that I’m supposed to see in the referenced paper: The Face of the Man of the Shroud of Turin Is Encoded Within the Sistine Chapel Frescoes.
Is it just me or is this a case of seeing elephants in the clouds?
RALEIGH, N.C., Oct. 31, 2012 /Christian Newswire/ — Investigative researcher, Philip E. Dayvault, of Raleigh, NC, discovered in 2003 that the Last Judgment fresco and a portion of the Ceiling fresco by Michelangelo in the Sistine Chapel contain the encoded, and "hidden in plain view," image of the face of the Man of the Shroud of Turin, the traditional burial cloth of Jesus Christ. This forensic conclusion is based on distinctive pattern recognition, the detection of identifying individual characteristics and a progressive overlay comparison of both images. It is also concluded, based on abundant forensic circumstantial, documentary and physical evidence, and coupled with logic and reason, that Michelangelo unknowingly painted the encoded image within the Sistine Chapel, and which contains individual characteristics consistent with those from the Shroud face. Michelangelo never saw the encoded image…it only became observable with the advent of photography in the early 1800’s; and then specifically with the first photograph of the Shroud taken in 1898 by Seconda Pia! However, exactly how the encoded image was made remains unknown. This new data is being released to commemorate the 500th-year anniversary of Michelangelo’s completion of the ineffable Ceiling in the Sistine Chapel on October 31, 1512, and also the presentation of the Ceiling to the people of Rome, and ultimately to the world, on November 1, 1512, All Saints Day.
Importantly, the two frescoes were painted at different times in history. The Ceiling, (not shown in this photo), extending down to the top of the "eye brows," was painted from 1508 to 1512; and the Last Judgment on the Altar Wall, depicting "the face" from the eyes-down, was painted from 1535 to 1541. During the interim years, there were three different popes, each of whom could have commissioned anyone to paint the Altar Wall. Michelangelo was in such pain and agony from painting the Ceiling that he didn’t "know" if he would be alive the next day, much less, 23 years in the future.
Dayvault, a former Special Agent and Physical Science Technician with the FBI, utilized the preferred and scientifically accepted forensic principles and methodologies for facial review and identification. This research involved painstaking comparisons and iterations of the two images. Slight scaling of the Shroud Face was required to accommodate for the parallax, focal distance and lens variations present in each available Sistine Chapel photograph. This incredible image, shown below via a Progressive Overlay Comparison, has been critically reviewed by several Shroud colleagues and a forensic expert who concur with Dayvault’s conclusions. Some of the numerous individual features include the "Epsilon-like," or "reversed-3," bloodstain image around Jonah (not depicted in this photo), the off-centered bifurcated beard, the eye orbits, the circular cheek wound, unique chin markings, etc.
Who are the several shroud colleagues?