imageIt is this, taken from a comment by Daveb of Wellington NZ to a posting, The image on the Shroud of Turin is not a scorch:

The Shroud is unique in all of relic history. Forgers typically imitate. They seldom create originals or other unique objects, even when there is a lucrative trade in the genre, whether art, artifacts or relics. Their copies are usually quickly discovered as forgeries.

Or maybe this should be the quote for today taken from the very same comment by Daveb. I can’t decide which one I like most.

My objections to the statue thermal imprinting proposition come from its unlikelihood. It beggars belief that anyone, even an enthusiastic relic forger, would commission such an object. (a) There was insufficient anatomical knowledge to create the accuracy of detail; (b) Any such lifesize statue would in fact be more impressive than its mere image on a cloth; (c) There is no historical record of any such statue, and there is no contemporary tradition of making such statues with all the realism required. (d) It defies any contemporary art forms. (e) It contravenes conventional belief about the crucifixion, e.g. wrist nailing, and consequent thumb flexure.

Picture is of “Christ of the Abyss.”  A bronze statue of Jesus, it was installed underwater in the Mediterranean Sea off San Fruttuoso, Italy in 1954.