“This is a small sample of Charles Freeman’s research on the subject, which should be more widely known so that National Geographic would be embarrassed to take the shroud seriously.”
— Ophelia Benson
While Colin complains that the world is ignoring his two-stage imprinting model, Charles Freeman is getting special attention for his painting theory from Ophelia Benson over at Butterflies and Wheels in the well-read Free Thought blogs collection. Benson is particularly well known for her criticism of pseudoscience and religious fundamentalism. She writes:
Charles Freeman has an article in History Today about the Shroud of Turin. He tells me the subject is neglected by academics, and “the absurd ideas of the authenticists are given full and virtually unchallenged internet space.” He adds that National Geographic is especially bad on this, maintaining “the idea that there is something inherently mysterious about the Shroud when in fact an afternoon in a conservation lab – which would find the traces of gesso and paint – would probably sort things out.” He gave me carte blanche to use the article, so have a feast.
So have a feast. Or not.