New Garlaschelli and Borrini Study
There is a new study out by Matteo Borrini, professor of forensic anthropology at John Moores University in Liverpool (UK), and Luigi Garlaschelli University of Pavia, that argues against the authenticity of the shroud. The following is a Google translation from Italian of a UAAR (Union Atheists Agnostics and Rationalists) press release posted in the A Good Reason blog by the UAAR and reposted in AgoraVox:
Press Release: Shroud: new studies call into question the authenticity:
The imprint of the body on the Shroud does not match that of a condemned posted in a location similar to the classical representations of the crucifixion. And not even that of a bloody body lying in the tomb.
These are the findings of new studies by Matteo Borrini, professor of forensic anthropology, now at John Moores University in Liverpool (UK), and Luigi Garlaschelli University of Pavia, that for this research has obtained a contribution of the AU.
The work, presented by Borrini at the Conference of the American Academy of Forensic Sciences in Orlando (USA), confirms the findings already last year by a similar study of the two teachers.
As known, the image of the Shroud of Turin are visible, in addition to the faint image of a body, even trace amounts of (alleged) blood resulting from the wounds of passion on his forehead and neck, on the chest, on the feet, and finally on the back of one hand and on the front of the forearms, from wrist to elbow.
The scope of work of Borrini and Garlaschelli was to verify – using forensic techniques of BPA (Bloodstain Pattern Analysis – analysis of the shape of the blood stains) – what should be the posture of a human body so that the rivulets of blood you have as it appears on the footprint human in the Shroud of Turin.
A thin cannula for transfusion, connected to a bag of blood, was applied to the dorsum of the left hand of a volunteer in three different positions of possible leakage of the nail, in agreement with the most common assumptions about the exact anatomical location of the wound as it follows from the Shroud.
In previous studies, the forearm was kept at different inclinations with the aid of a goniometer ballistic – 0 °, the horizontal arm, 90 °, vertical arm – and a modest amount of blood had been made on the back of the hand casting and along the forearm.
All tests had shown that in order that the stream of blood flowing on the outside of the forearm, as visible on the shroud, the angle of the arm itself must be greater than 80 ° and less than 90 °, and then placing it in a position almost, but not totally vertical.
The new tests now conducted have considered other aspects:
- The arms were always placed vertically, even with hands over his head, to play the position assumed if the condemned had been crucified in a single vertical pole.
- To simulate the hypothesis that the bleeding had occurred (perhaps by a body washed) after death, blood was dripped from the back of the hand of a volunteer lying with his hands on the pubis in the same position of the Man of the Shroud ( both legs stretched that flexed). In none of these tests has achieved a performance of rivulets similar to that seen on the Shroud.
- Scholars have finally run a BPA for the wound to the right side. A sponge (of the same size of the alleged injury readable on the shroud) soaked synthetic blood was pressed through a special grip on the torso of a mannequin standing. The trend trickles result in this case is vertical, consistent with that from image front of the Shroud of Turin. However doing the bleeding experimental with dummy lying (for groped to reproduce leaking from image ridge of the Shroud, which also derives from the wound to the chest for bleeding post-mortal), the result was quite different.
Taken together the results of these tests are therefore not consistent with the general trend of the rivulets of blood on the Shroud of Turin and seem to refuse to testify in favor of their authenticity, but rather in an artistic or didactic.
Link to postings about the previous studies by Borrini and Garlaschelli .