Pam Moon has uploaded another paper she wrote to her Shroud of Turin Exhibition site: Bl Sebastian Valfrè: The Black Thread, Reweave, and Unravelling the Shroud. It begins:
It was an enormous privilege to attend the St Lewis Shroud conference and to meet so many of the world’s greatest Shroud experts. Can I give my congratulations to the organisers. The comments below are based on some of the conversations I had at the conference.
I am very grateful to Joe Marino for allowing me to present the Oxford photographs and Donna Campbell’s report, to Barrie Schwortz for finding the information online and to Russ Breault for recording the conference. Donna Campbell wrote: ‘there are signs in the Shroud sample that direct the notion of mending or reweaving of the actual woven fabric.’ One of the items mentioned in the presentation was the large black thread which is visible on the Oxford and Arizona samples. A comparison was made with the small black and large white threads also present.
I was delighted to discover from Emanuela Marinelli and Will Meacham that the large black thread was probably stitched in 1694 by Bl Sebastian Valfrè. The invisible reweave hypothesis of Joe Marino and Sue Benford supported by Donna Campbell may refer to two or three different episodes of stitch repair and Bl Sebastian’s repair was one episode. The best demonstration of invisible reweave (both French and in-weaving) I have seen is by the company Without a Trace and can be seen in the video: https://www.youtube.com/watch?v=EIgC_IeuzKE. Please look at that before continuing! The black thread also points to the possibility that the corner strands were unravelled, rewoven back together and then stitched back into place with reweaving techniques. Below is the large black thread seen in th Oxford and Arizona photographs see: https://archdams.arch.ox.ac.uk/?c=1203&k=1bcdc90a8b [|] http://www.shroud.com/pdfs/arizona.pdf. Investigating a Dated piece of the Shroud of Turin, Radiocarbon, 52, 2010.