Yesterday, Stephen Jones copy-pasted a complete essay by Danusha Goska from the pages of shroud.com thus making it more accessible. The essay, in two short paragraphs, contains one of the most powerful reasons for being quite sure that the image is not a scorch or a photograph or any sort of medieval Rube Garlaschelli Goldberg creation:
Items of expressive culture are not found in isolation. They are not found without evidence of practice. If one excavates an ancient site and finds one pot, one finds other pots like it, and the remains of failed or broken pots in middens.
If the shroud is a forgery, where are its precedents? Where are the other forged shrouds like it? Where is there evidence of practice shrouds of this type? If the technology to create the shroud was available in medieval Europe, where are other products of this technology? Humankind is an exhaustively exploitative species. We make full use of any technology we discover, and leave ample evidence of that use. . . .
You will never convince the world with mere science if you ignore the realities of history.
Picture: Annunciation to Mary, 14th century stained glass, Regensburg Cathedral, Germany