that was one take-away from the email to contemplate
. . . and more

imageA reader writes:

I believe there is a good argument "from extensive investigation by modern science" (including some pretty bad science) that the SOT is not an artwork by any established method, regardless of the doubtful C14 dating (doubtful on statistical as well as sampling grounds).

There is no way to prove that it is miraculous.

The SOT seems to be one of a kind. There is nothing quite like it, approximating its total complexity in resembling a crucified man.

On logical grounds, it seems certain that if the original apostles had noticed an image on the cloth, they would have tried to secure and preserve the cloth forever. In fact, they very probably would have done the same even whether or not they saw an image. So it is not really surprising that we end up with Jesus’ burial shroud (assuming it existed). [There may be an obscure reference in Paul to it, besides the Gospel accounts.]

it is not improbable that we might have this relic; and that it was hidden away most of the time to protect it from opponents.

I don’t know if anyone has addressed the issue of the large amount of ointment which Nicodemus procured along the tomb, presumably along with the cloth itself, which is somewhat fancy as a burial cloth. What would be the physical effect of this ointment in some imaging or preservative processes? What is the evidence for this in the SOT?

The probabilities are for alternatives:

– this is the shroud of Jesus, and this his image we see, and it was produced by so-far unknown processes
– this is an ancient cloth, cut like a shroud, and someone has artificially produced a complex two sided image to imitate in detail information in the Gospels. This person would have to have been the greatest artistic genius of all time (da Vinci never produced anything remotely this complex in representing a human being; it is easy to draw anatomy and perspective by comparison; the shroud looks like a layered noisy computer-generated image containing superficial 3-D shading on a thin 3D cloth, something impossible 60 years ago). It probably could be copied today by a lot of effort, using a computer-controlled laser together with pattern for blood spatter and body image, an ancient cloth if you could find one, and a blood spatter 3-D printer.

But not 60 years ago.

What about the myrrh ointment? Has someone reported on this?