From the earliest days of Christianity up until Rembrandt’s 17th century, the idea of portraying Jesus as human reeked of blasphemy. Iconoclasts often violently repressed any attempts to portray Christ as anything less than fully, perfectly divine. Historically “accurate” representations of Jesus, such as the Veil of Veronica, the Mandylion, the Shroud of Turin, and the Lentulus Letter, set the standard rules followed when depicting Jesus during the Byzantine era and beyond. Just a century before Rembrandt’s birth, Dutch Protestants swept the churches clean of unacceptable portrayals of their savior. Into that environment stepped the revolutionary and rebellious Rembrandt.