It took nearly 17 years after our direct examination of the cloth before the
scientific evidence actually convinced me of the shroud’s authenticity.
— Barrie Schwortz
. . . Schwortz, an expert in imaging and the official documenting photographer of STURP, dismisses Mr Freeman’s claims.
He told the Catholic Herald: “I have seen copies of the shroud (commissioned by the Savoy and other royal families) made by artists allowed to view the actual cloth that look very little like the shroud. It is not an easy image to reproduce. I have examined, studied and lectured on the shroud for nearly 38 years yet would have great difficulty in describing the image on the cloth in writing. So variations in early written descriptions or artistic copies doesn’t seem like very convincing evidence against authenticity. And there are many early coins and artworks that appear to have directly and faithfully copied the image on the shroud. Perhaps that is more a testament to the quality of the artists involved and the difficulties one encounters when attempting to duplicate the shroud’s image.”
Mr Schwortz referred to the scientific evidence that is “the basis for my opinion that the shroud cannot be an artwork. STURP’s data provided empirical evidence to that effect, although the sceptics of the world continue to deny it”.
He continued: “Remember that I am Jewish (not Messianic), and it took nearly 17 years after our direct examination of the cloth before the scientific evidence actually convinced me of the shroud’s authenticity. It was the science that did it.”