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The Mysterious Arizona Piece

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Joe Marino made sure that members of the Shroud Science Group were aware of the thread of discussion going on under "Cementing Over Central Park" and in particular Hugh Farey’s response to a question about the sample retained by the University of Arizona. This prompted Helmut Felzmann (pictured here) to send the following email to the group. With his kind permission, I am reproducing it here:

Dear Researchers,

it is known in this group that Barrie went to Tuscon in August 2012 with invitation from Jull (I persuaded Jull) to take photos from all the blind samples, the rest of the large sample and the small sample. When he arrived in Tuscon, Jull told Barrie that the small piece is not available as it is in custody of Mr. Donahue, the retired head of the laboratory in 1988. But Donahue was not available due to his personal situation. It was promised to Barrie, that he will have access to the piece later.

This is really a pity because the small piece was the only real interesting one, as its shape is irregular and does not match all of Riggi’s sketches, therefore it seems as if Riggi, who is supposed to have it cut of, has never seen it. The weave direction of the piece indicates a rotatation of about 90° compared to Riggi’s sketch. The only – not very brilliant – photo existing of the small sample indicates that it might have an edge on one side, which can not be possible because according to Riggi this sample was a middle-piece, cut all around.

Since more than one year Barrie and I are trying to persuade Jull and to claim his promise … with no positive result.

Barrie has made public all the taken photos on his website. He did a very good job – unfortunately he is not yet able to complete it.

The insight I got from Barrie’s photos is that all the blind samples are 1:1 weaves and differ siginficantly from the so called shroud sampe(s). Therefore everybody can see instantly, which samples are "shroud"-samples and which are blind sampes. This makes the secret wrapping of the samples in the neighboring room in Turin obsolete. There is therefore no justification why the wrapping of the samples was not made in front of anybodies eyes. Does anybody know what the official argument was for the secret wrapping?


P.S. Barrie please correct me if I got anything wrong concerning your trip to Tuscon

And Barrie has followed through with this:

The events at Tucson as outlined by Helmut in his e-mail are completely accurate. If you missed it, you can find the article, including a detailed description of the event and a selection of the photographs, at this link:

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