Stephen Jones Continues His Critique of Charles Freeman

Stephen Jones nicely nets it out as we try to keep up with his useful “critique of Charles Freeman’s "The Turin Shroud and the Image of Edessa: A Misguided Journey." This is part 3A and if you haven’t read parts 1 and 2 on his blog you should do so first:

But quite clearly the image on the Shroud of Turin being uniquelya photographic negative, at least six centuries before the very concept of a photographic negative was known, not onlyundermines Freeman’s case, that the Shroud of Turin is just one of many fake medieval relics: it totally destroys it!