David Rolfe has two upcoming talks. One is at St Joseph’s Church, Maidenhead at 7:30 pm Good Friday 18th April.
On May 16th, at 7:00 pm he will be at the Gulbenkian Theatre at the University of Kent, in Canterbury. I understand that there will be a reception with refreshments at 6:30 prior to David’s talk
David also informs me that the 2010 Exposition film may be download at: http://www.shroud-enigma.com/Shop/Shop.php and that until Easter you can get it at half price, that is £5.99 less 50% = £2.99. They just need to enter the code SS2014
Elon Gilad has an interesting write up on Passover in Haaretz this morning:
Once the house is clean, a large meal is prepared. Jews in Israel and the Diaspora of varying levels of religiosity assemble round the table and enjoy a scripted holiday meal.
The script of the meal is contained in a book called the Haggadah (“the telling”), which dictates the evening’s proceedings.
The Haggadah wasn’t written by any one person or group. Rather, it evolved over the centuries, beginning in the years after the destruction of the Second Temple and to this very day.
While the major parts of the Haggadah remain the same, variations arose based on culture, local tradition and the like. As for the evolution of the book still taking place – there has been a virtual explosion of versions in recent generations, including versions for feminists, for the LGBT community, and so on. There are even versions for atheists that leave the Lord entirely out of the process.
The major objective of the evening is to retell the story of the exodus of the Jewish people from bondage in Egypt, as told in the Book of Exodus. This is traditionally believed to have taken place in 1,313 B.C.E.
Most of the Haggadah is in Hebrew, though some parts are in Aramaic. It tells the story of the Exodus, with foods serving as props.
Picture: A Passover Haggadah from Vienna, 1930. Photo by Reuters
Starts: April 16, 2014 at 7:00 pm
Ends: April 16, 2014 at 10:00 pm
On Wednesday April 16th St Paul’s will welcome Russ Breault for a presentation of Shroud Encounter at 7 pm, followed by a reception at 8:30 pm.
Shroud Encounter is a dramatic big screen experience and in-depth exploration into the mysteries of the Shroud of Turin. Using a CSI approach, audiences are taken on a thought provoking adventure through early church history, ancient art, modern science, and medical forensics.
Could the Shroud be the most important archaeological artifact ever found, or is it just a medieval fake? Does it provide clues to what happened during the crucifixion and resurrection, or is it just a pious art work created to represent these events? After thousands of hours of scientific analysis, the Shroud remains a profound mystery.
Tickets are required and can be obtained through the church office.
Join us for what promises to be an interesting, thought-provoking, and even entertaining evening!
The Greatest Love
BING Translation of undated press release as it appeared at Santa Sindone website yesterday:
The face of the shroud
ready the logo of exposition 2015
The custodian of the shroud. Cesare Nosiglia presents tonight at Parco Ruffini, within the Diocesan youth Celebration, the official logo of the exposition 2015. The graphic trade mark was chosen and Armando Testa Agency developed starting from ideas of young torinesi (groups of students of the Accademia Albertina, and boys participating in the walk of the Diocesan Synod of young).
The logo A face that invokes the human traits of the shroud; the word Shroud and 2015 the motto love bigger. A background consisting of variations of color reminiscent of the sindonico tissue; the arrangement of text and colors in space suggests the image of the cross. These are the elements of the logo for the exposition 2015 presented tonight around 20.45, within the Diocesan Celebration of youth, at Palasport Ruffini Park.
Young The logo is launched at the Festival of young people because it was made by young people. In recent months of February and March, groups of students of the Accademia Albertina di Belle Arti di Torino and young people participating in the Synod’s coordinated by the youth of the diocese have worked to create a graphic sign that draws the contents of the tagline and theme of the exposition.
The custodian of the shroud. Nosiglia had launched the proposal, for the exposition of young people came from their ideas for the interpretation that will be at the base of the graphic identity of the exposition. We wanted a product that could join the youth creativity and reflection on the meaning of the exposition and the Shroud in a new context, in the light of the chosen motto love bigger, taken from the Gospel of John.
The motto wants to highlight how God’s love for men the same love of Jesus Christ. And donate life discover his true vocation of men and women, in any condition, even in difficult situations of suffering and illness that afflict us.
The creative path-The youth worked either alone or in groups, with the accompaniment of the Academy’s lecturers and experts in Youth Ministry.
Jobs products were reviewed by a Committee chaired by Archbishop they belonged to members of the Committee and of the Diocesan Commission for the shroud. The most interesting works judged 4, whose authors will be featured tonight at the party of young people, were subjected to the experts of the Armando Testa Agency, which made the necessary changes to give the work a professional character. The Armando Testa Agency has offered its advice.
Info about Exposition: email@example.com
Melanie Jean Juneau, a mother on nine, has put up a collection of faces of Jesus, most derived from the Shroud of Turin in one way or another.
Does anyone know the artist of the last picture in her posting. I’ve seen it but that is all I know about it.
I think the portraits of Jesus based on the Shroud of Turin resemble the famous painting by Akiane that Cotton Burpo*, the boy who supposedly visited heaven, claims looks like Jesus. The upcoming movie about his visit should stir that up quite a bit.
Here is what Melanie says about the faces:
This first image is a 3-D image of the Risen Christ. from an image of The Shroud Of Turin.i Beside it is the shroud of Turin overlaid on the Sinai icons. In the second row both of the small light images on the left are called the Real Face of Jesus and are not a paintings but computer generated images from the Shroud of Turin, as seen on History Channel. The image on the right, in the second row is an actual painting but once again based on the Shroud. The last. large work of art is also based on the shroud.large painting is beautiful, capturing a strong man with deep, compassionate eyes.Don’t think I’ve ever seen this painting of Jesus. I am not sure of the artist but it is my favorite.
What do you think? Is a new Shroud of Turin genre evolving?
* Wikipedia: Heaven is for Real: A Little Boy’s Astounding Story of His Trip to Heaven and Back is a 2010 New York Times best-selling Christian book written by Todd Burpo and Lynn Vincent. It was published by Thomas Nelson Publishers. The book documents the report of a near-death experience by Burpo’s then-four-year-old son, Colton. The book tells how the boy began saying he had visited heaven.
By April 2012 over one million ebooks had been sold. A movie based off the book, Heaven Is for Real, is scheduled for release April 16, 2014.
Christian Post: The skeptic inside of us may knee-jerk away from going to see "Heaven Is for Real." However, may I suggest fighting that impulse and instead, taking yourself to see an extremely powerful movie that, in the end, is a movie about our own questions regarding life and the life-after.
The movie is about our humanness because nearly all of us question where it is we go when we die. We may not be part of a pastor’s family, and surely most of us have never had a near-death experience, but we go about our lives doing much like the Burpo family portrayed in the movie, doing the best they can at making sense of things in day-to-day living, until the unexplainable happens.
But can’t we argue that a nude jesus was still and extraordinary rarity
There have been several discussions on the blog recently regarding long-held Shroud beliefs, e.g, whether the bloodstains went on the cloth before the image and re finding out the VP-8 image analyzer wasn’t actually used by NASA.
I saw the May/June issue of Biblical Archaeology Review at work and noticed a letter to the editor that pertains to another enduring belief: that early and medieval artists never depicted Jesus in the nude (and thus the nude Shroud image was a point in favor of authenticity).
And here is the letter to the editor:
Crucifixion in the Nude:
I was quite taken by the two fascinating articles on crucifixion in your March/April 2013 issue. One was Larry W. Hurtado’s Staurogram: Earliest Depiction of Jesus’ Crucifixion,” the other Ben Witherington III’s “Images of Crucifixion: Fresh Evidence.” I was especially intrigued that two of the earliest crucifixions depicted men who were crucified in the nude. While I have nothing to add to the early pictorial history of crucifixion, your readers might be interested to learn that there is at least one depiction of Christ, crucified in the nude, although he did not stay that way very long. The illustration occurs on a Spanish polyptych painted in Barcelona in about 1350 ascribed to Ferrer Bassa and family. In one panel he hangs on the cross nude. In a subsequent panel he is clothed with a loincloth. The episode is based on a devotional text (1), according to which he “is stripped, and is now nude before all he multitude for the third time, his wounds reopened by the adhesion of his garments to his flesh. Now for the first tie the Mother beholds her Son thus taken and prepared for the anguish of death. She is saddened and shamed beyond measure when she sees him entirely nude: They did not leave him even his loincloth. Therefore she hurries and approached the Son, embraces him, and girds him with the veil from her head ..”
This devotional text clearly inspired the artist. The polyptych is permanently on view in Morgan’s study at the Morgan Library & Museum in New York.
CURATOR OF MEDIEVAL AND RENAISSANCE MANUSCRIPTS
THE MORGAN LIBRARY AND MUSEUM
NEW YORK, NEW YORK
But can’t we argue that a nude jesus was still an extraordinary rarity
Icon by Fr. Theodore Jurewicz, Master Iconographer at Christ the Saviour Orthodox Church in Harrisburg, Pennsylvania