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Struggling with Naturalist Explanations

May 22, 2013 48 comments

imageIn referencing a discussion in this blog, Long time blogger, Jason Engwer, in Triablogue writes on The Failure Of Naturalistic Theories To Explain The Shroud Of Turin:

Here’s a thread discussing the failure of various naturalistic theories to explain the Shroud of Turin. We don’t just need to explain how the image could have been produced, but also why it happened with Jesus in particular and not with other individuals, the timing of the image formation (around the time when other evidence suggests Jesus was resurrected), and how the removal of the body from the Shroud didn’t do more to disturb the bloodstains and damage the cloth. I think that Jesus’ resurrection is the best explanation for the totality of the phenomena. But what I want to highlight here is something Barrie Schwortz wrote in the comments section of the thread linked above. Schwortz is an advocate of the view that the Shroud image formed as a result of a Maillard reaction, and Ray Rogers held the same view, yet Schwortz writes:

Ray Rogers told me personally that he believed, “Something else was at work with the Maillard reaction,” but he didn’t know what that was and didn’t live long enough to explore it.

[ . . . ]

Of course, we might imagine that the something else might be miraculous. I rather suspect that Rogers didn’t think so. I do. But then again, as I have said, I consider any image caused by radiation, as well, naturalistic. The only question is where the very natural radiation came from – like from a resurrection event?

I think Jason thoughts on this are most useful.

Categories: Image Theory, Other Blogs

The pig experiment was not Barrie’s experiment

May 21, 2013 43 comments

imageYannick Clément, in a very long winded comment repeated below, does have a point. Well several. But for your clarification, as you read it, I did talk with Barrie Schwortz yesterday. I can confirm that the experiment with the pig was not his idea and not his experiment. He was thrust into the situation, unaware, during the production of the documentary. He offered his comments and the rest was a matter of creative editing. As Barrie writes:

Watch for the next update on shroud.com (due at the end of this month) for an article titled, “Behind the Scenes of a New Smithsonian Channel Shroud Documentary” in which I will give some details on the techniques the producers used for creating the program.

And now for Yannick’s comment:

After having seen the TV program, I have some good comments to make :

1- In the program, there are two huge historical mistakes : 1- The program seem to suggest that Geoffroy de Charny was some kind of an obscure knight when he became in possession of the Shroud, which is totally false. In fact, de Charny was one of the leading knight of all the kingdom of France when he build the Lirey church. And 2- The program tell us that de Charny claimed he get the Shroud during a crusade he made, which is also totally false. In fact, de Charny NEVER SAID A WORD about how and when he became in possession of the Shroud. It’s also very important to understand that de Charny never participate in the 4th crusade, which saw the Latin crusaders making the sack of Constantinople. This terrible event, which most probably lead to the transfer of the Shroud from that city to Europe, happened a century before de Charny’s time. The only crusade in which Geoffroy de Charny participated is the Smyrna crusade in 1346 and it’s highly improbable that he could have come in possession of the Shroud at that occasion, no matter what Ian Wilson and other “historians” can think.

Read more…

Gary Vikan to release book on the Shroud of Turin

May 21, 2013 Leave a comment

imageAn article, Ten objects that sum up Gary Vikan’s life, by Mary Carole McCauley in The Baltimore Sun reports that he is working on a book about the Shroud of Turin.

Vikan is best known in shroud circles for an article published in Biblical Archaeology Review in the November/December 1998 issue reprinted on shroud.com. (See the article here and read the comments on the same page).

From the Sun:

You can get a pretty good idea of someone’s journey through life by looking at the objects with which he surrounds himself.

For Gary Vikan, who stepped down this spring as the director of the Walters Art Museum, those objects include a pair of tickets to Woodstock, a piece of the gate guarding Graceland, a collection of Russian icons and a miniature replica of the Shroud of Turin.

[ . . . ]

He’s just completed his next big project: a book on the Shroud of Turin, in which he attempts to prove that the linen burial cloth that many believe once wrapped the body of Jesus actually was made in the Middle Ages, around 1350.

"I’ve been working with a scientist who found out how the image on the Shroud was made," Vikan says. "And I think I know when and why. It was made to deceive, at a time in the Middle Ages when relics meant pilgrimages, and pilgrimages meant money."

Vikan said the manuscript could be published as soon as this fall.

Which one of the scientists? And which one of all the many ways it was made?

Categories: Art, Image Theory, News & Views

More support for Treasures Decoded: The Turin Shroud

May 17, 2013 41 comments

imageMy old friend, Ray Schneider, from the Shroud Science Group, has just chimed in to recommend the Quest video, Treasures Decoded: The Turin Shroud on his blog, Political Brambles:

I’m a Shroud of Turin expert, sort of second tier I suppose since I restrict my work to processing the images and giving talks on the shroud. This is worth a look for those who wonder how the image got on the cloth.

Go have a look at his blog.

Quest TV: Treasures Decoded: The Turin Shroud

May 17, 2013 2 comments

RECENT: I don’t know if this will stay up, so watch it soon. There is some discussion about image formation including an experiment with a pig.  The video runs just about 44 minutes.

A Description of the series from Quest:

Discover five of the world’s greatest treasures, all with remarkable secrets that have remained hidden… until now.

Treasures Decoded examines five of the world’s greatest treasures: The Turin Shroud, The Dead Sea Copper Scroll, The Jesus Tablets, The Death Cult of the Sphinx and The Golden Raft of El Dorado. All of these hold remarkable secrets that have remained hidden… until now.

Filming with archaeologists, historians, scholars and scientists, no stone is left unturned in search of answers. Using a range of new techniques, including state-of-the-art forensics, our experts explore the history and possible implications of exposing the fascinating truth about each treasure.

What does the obscured writing on the Turin Shroud mean? Is the Golden Raft the key to finding the treasures of El Dorado? All will be revealed…

The link if you need it is http://www.youtube.com/watch?v=xmNk6LxUPiA

Hat tip: David Rolfe

Categories: Image Theory, Science, Video

Revisited: Argumentum ad Ignorantiam, mea natibus?

May 17, 2013 1 comment

clip_image001Barbara from Roanoke asks, “Someone wrote something about God betting we can’t figure out how the image was formed. Do you recall the words?”

Are the words from this pearl of wisdom by one of the many great philosophers of the shroud blog, daveb of wellington nz in a comment in Argumentum ad Ignorantiam, mea natibus?

I personally think that the Deity likes to have his little jokes with his creatures. He seems to have wanted to teach Russell & Whitehead an important lesson in humility, and have said to Einstein, “Don’t tell Me what to do with My dice!”. As far as the Shroud image is concerned, I think He may be saying, “Bet you can’t discover how I did it!”

Here is the full quote.

Categories: Image Theory, Quotations

Dog in this fight or pony in this race?

May 16, 2013 10 comments

clip_image001Because of Colin’s most recent comments about Rogers, bordering on conspiracy theory thinking, I thought it valuable to repost a posting from more than a year ago (January 9, 2012). But before repeating it, let me pull forward one particular paragraph:

Kim Johnson of [ the Committee for Skeptical Inquiry affiliated New Mexicans for Science and Reason] wrote the following in an obituary on Rogers: “He was a Fellow at Los Alamos National Laboratory, and tried to be an excellent, open minded scientist in all things. In particular, he had no pony in the ‘Shroud of Turin’ horserace, but was terribly interested in making sure that neither proponents nor skeptics let their scientific judgment be clouded by their preconceptions. He just wanted to date and analyze the thing. He died on March 8th from cancer. He was a good man, and tried his best to do honest science.”

And now, déjà vu again: Sciencebod, Do some homework on the Shroud of Turin (Or is Colin having a senior moment?)” Oh, I know, ad hom, ad hom, ad hom:

* * *

imageColinB/sciencebod writes:

Hello again Dan

I keep asking myself how I could have been so misinformed re the date of reweaving on which you corrected me so comprehensively with you references to Margaret of Austria. Might it be because pretty well everything I have come across in reading states that the repairs, including reweaving were indeed carried out AFTER the 1532 fire, regardless of who commissioned them, e,g, this from a Reverend gentleman:

http://ecc-c.org/TurinShroud.aspx

So my original objection still stands – why go to all the trouble of invisible mending, in a corner, when there is massive fire damage elsewhere. In fact, why would anyone even think about mending before the fire, given that an unmended cloth, showing at least some of the ravages of time, would make for a more convincing holy relic…?

Kind regards

PS Have you seen my latest theory re mummified cadavers, like the ones in that Capucin Brno monastery that missus and I gawped at just two or three years ago.

Dear ColinB: You have got to be kidding me. This is how you change your mind, on the basis of one reference on a web page? Some “Reverend gentleman,” you say? Here is what your reverend gentleman says:

Physicist Ray Rogers, prior to his death, uncovered the reason why the Carbon14 tests were invalid. The Shroud had had invisible repairs, carried out by Poor Clare nuns, after the fire in 1532 in the chapel in Chambery, France. The samples for the Carbon14 dating had been taken from the area which was not the original Shroud. . . . Unfortunately, when the sample sites were chosen, the 1532 repairs were not known about and so it was an unfortunate and misleading coincidence that the samples that were tested came from the patch added by the Poor Clare nuns and not the original Shroud. It was therefore to be expected that the 1988 Carbon14 results pointed to a 16th century date.

imageOh, my. You have got to be kidding. Not only is this reverend gentleman wrong, not only does he not know what he is talking about, you are utterly uninformed and naïve. Now these other four reverend gentlemen are holding up the cloth long before the carbon dating. You can see the patches in what is an old painting. Bet they knew!

Rogers, who was a chemist, not a physicist, did not uncover the reason. It was Joseph Marino and Sue Benford.

The fire was on December 4, 1532 in the Sainte Chapelle, Chambéry. The shroud was protected by four locks. With the fire going on, Canon Philibert Lambert and two Franciscans summoned the help of a blacksmith to open a grille. By the time they succeeded, a reliquary made by Lievin van Latham to Marguerite of Austria’s specifications had partly melted. The shroud folded inside was scorched and severe holes were formed by molten silver. Chambéry’s Poor Clare nuns repaired the Shroud beginning on April 16, 1534 and finishing on May 2, 1534 not 1532 as the reverend gentleman says. The nuns knew. From that day forward, the repairs were the most prominent feature of the shroud, more so than the faint image. To suggest that the 1534 (let’s be accurate) repairs “were not known about and so it was an unfortunate and misleading coincidence,” at the time of the carbon dating sampling is just laughable. In fact, if anything, the carbon dating protocol discussions frequently referred to the patches sewn on by the Poor Clare sisters.

Patches applied to the shroud in 1534 were obvious; as noticeable as leather patches sewn to the elbows of an old sweater. Would earlier repairs in 1531 (a plausible date from the historical records) or at any other time, have been so expertly done that that they would have gone unnoticed when the carbon 14 samples were cut from the cloth?

Rogers was actually very skeptical. According to Philip Ball of Nature, “Rogers thought that he would be able to ‘disprove [the] theory in five minutes.’” (brackets are Ball’s). Inside the Vatican, an independent journal on Vatican affairs, reported:

Rogers, who usually viewed attempts to invalidate the 1988 study as ‘ludicrous’ . . . set out to show their [Benford and Marino] claim was wrong, but in the process, he discovered they were correct.

It was close examination of actual material from the shroud that caused Rogers to begin to change his mind. In 2002, Rogers, in collaboration with Anna Arnoldi of the University of Milan, wrote a paper arguing that the repair was a very real possibility. The material Rogers examined was from an area directly adjacent to the carbon 14 sample, an area known as the Raes corner. Rogers found a spliced thread. This was unexpected and inexplicable. During weaving of the shroud, when a new length of thread was introduced to the loom, the weavers had simply laid it in next to the previous length rather than splicing. Rogers and Arnoldi wrote:

[The thread] shows distinct encrustation and color on one end, but the other end is nearly white . . . Fibers have popped out of the central part of the thread, and the fibers from the two ends point in opposite directions. This section of yarn is obviously an end-to-end splice of two different batches of yarn. No splices of this type were observed in the main part of the Shroud.

Rogers found alizarin, a dye produced from Madder root. The dye appeared to have been used to match new thread to older age-yellowed thread. In addition to the dye, Rogers found a gum substance (possibly gum Arabic) and alum, a common mordant used in medieval dying.

Several years earlier, a textile expert, Gilbert Raes (for whom the Raes corner is named), had been permitted to cut away a small fragment of the shroud. In it he found cotton fibers. Rogers confirmed the existence of embedded cotton fibers and noted that such cotton fibers are not found in other samples from anywhere else on the shroud. Cotton fibers were sometimes incorporated into linen threads during later medieval times, but not earlier, and not even as early as the carbon 14 range of dates. This, along with the dyestuff, suggested some sort of alteration or disguised mending.

In 2005, Raymond Rogers, after four years of study on this matter and months of peer review published his findings in the scientific journal, Thermochimica Acta. Go read it. Go study the real history of the shroud and shroud research. Find out how many scientists have confirmed the work Benford and Marino started and Rogers completed.

BTW: Ray Rogers, a distinguished chemist, was a Fellow of the prestigious Los Alamos National Laboratory (LANL). Originally, the home of the Manhattan Project during World War II. It is now part of the University of California at Los Angeles (UCLA).

Rogers had been a charter member of the Coalition for Excellence in Science Education in New Mexico. He campaigned vigorously for the teaching of evolution, and against teaching creationism, in the public schools.

He also served on the Department of the Air Force Scientific Advisory Board as a civilian with the rank equivalency of Lieutenant General. He had published over fifty scientific papers in ethical peer-reviewed science journals. He was a member of New Mexicans for Science and Reason (NMSR), an organization affiliated with CSI.

Kim Johnson of NMSR wrote the following in an obituary on Rogers: “He was a Fellow at Los Alamos National Laboratory, and tried to be an excellent, open minded scientist in all things. In particular, he had no pony in the ‘Shroud of Turin’ horserace, but was terribly interested in making sure that neither proponents nor skeptics let their scientific judgment be clouded by their preconceptions. He just wanted to date and analyze the thing. He died on March 8th from cancer. He was a good man, and tried his best to do honest science.”

Rogers once wrote to The Skeptical Inquirer (letter was published):

I accepted the radiocarbon results, and I believed that the "invisible reweave" claim was highly improbable. I used my samples to test it. One of the greatest embarrassments a scientist can face is to have to agree with the lunatic fringe.

Colin, you tell me you are a real scientist. Then you change your mind because you read something on the web page of a reverend gentleman without checking it out. Are you a real scientist? I’ll believe you when you admit you are wrong on the patches.

Oh, that “latest theory re mummified cadavers.” You don’t mean theory Mr. Scientist. Really. Check out the facts about the images. Really. You might want to read Giulio Fanti’s, “Hypotheses Regarding the Formation of the Body Image on the Turin Shroud. A Critical Compendium,” in The Journal of Imaging Science and Technology, (Vol. 55, No. 6 060507-1–060507-14, 2011). It is a marginal paper but it does nicely summarize what many people before you have tried with a bit more science. There is a handy list that might allow you to call your wild-ass speculation a hypothesis (not theory, though) if you can meet some of the criteria.

Do some real home work.

Dear Stephen E. Jones

May 12, 2013 16 comments

I noticed that you have responded to my criticism of your posting, The Shroud of Turin: 2.6. The other marks (5): Coins over eyes, with an inline addendum. You begin:

Response to Dan Porter In a post, "The Forger and the Coins: One in a Gazillion with 13 Zeroes," Dan Porter, owner of the Shroud of Turin Blog, has criticised my post above, dismissing the evidence for the coins over the eyes of the man on the Shroud as "pure pareidolia":

"… But this is so only if you believe that the images of coins are there. I’ve spent years considering this question; I don’t believe they’re there. What people see, I think, is pure pareidolia.

But pareidolia is (my emphasis):

"…a psychological phenomenon involving a vague and random stimulus (often an image or sound) being perceived as significant … Common examples include seeing images of animals or faces in clouds …"[126]

"… the imagined perception of a pattern or meaning where it does not actually exist, as in considering the moon to have human features"[127].

Stephen, if you don’t like the term pareidolia – and I still do – then how about visual noise?

You continue:

However, in this Porter is simply ignoring the evidence above, for example, that Jackson, et al. found on their VP-8 Image Analyzer three-dimensional `relief map’ of the Shroud, images of two, round, flat objects over the eyes, which were the same size and shape of Pontius Pilate leptons.

Round flat objects? Let’s look at several images:

image1) This is perhaps the most famous of the images. It is a VP8 image prepared by Jackson. One might say the images over the eyes seem like flat disks. There might be something there. It’s hard to tell. Barrie Schwortz says,

I do not argue that there appears to be something on the eyes of the man of the Shroud, and it may well be coins or potshards . . .

But, I’m not even sure of that.

clip_image0012) In the photo Stephen, you provide, seemingly (I agree with you on this) sourced from Giovanni Tamburelli of the Centro Studie Laboratori Telecomunicazioni S.p.A., Turin, Italy, we see, as you put it, “small, round, raised, object over each eye.” These certainly don’t appear like, “two, round, flat objects.” These could very well simply be eyelids.

You continue:

They did not "imagine" them-the images really are there. And this was confirmed by others using different three-dimensional computer processing. Even if the details on the face of those two objects could not be seen, it would still be a reasonable conclusion that they are Pontius Pilate leptons.

Look! How can this possibly be a reasonable conclusion? Potshards? Um, maybe. Nothing but the normal curvature of eyes, perhaps swollen eyes? It seems so.

3) The History Channel provides an image prepared by Ray Downing during the making of the Real Face of Jesus. I think this provides good confirmation that “two, round, flat objects” ARE NOT clearly (conclusively) there.

image

If anything, the 3D images, and there are others as well, argue against the presence of coins over the eyes.

But Stephen, you continue:

And Porter is simply ignoring the improbability that a lituus shape and even one letter, in the correct order and angle of rotation around the lituus (both of which can be clearly seen on the Shroud – see above) `just happen’ to be chance patterns in the Shroud weave, which `just happen’ to be over the eye of the man on the Shroud, is of the order of 1 in 1.1216 x 1015. Not to mention that the `chance patterns’ are three-dimensional, round and flat!

If I thought that what constituted particular shapes and letters was completely or mostly the same chemical product that constitutes the image of the man on the shroud, I might think the statistical argument has merit. But I don’t think so.

imageThe statistic that you refer to were based on observations made on the 1931 Giuseppe Enrie photographs, beautiful and detailed, technically wonderful and absolutely wrong for this kind of analysis of small details. Why? Because the film was high resolution orthochromatic film. The problem was compounded when Enrie coupled this film choice with near-raking light thus creating countless miniscule patterns and shapes from the shadows between threads of the weave. Since orthochromatic film basically only records black or white, any mid-tone grays that existed on the cloth as image, background banding patterns in the ancient the linen, and accumulations of centuries’ worth of dirt particles caused more miniscule imaging.

The picture on the right is an approximation of banding found in the face area. The dark horizontal band about a quarter of the way down goes right through the eyes. Vertical banding lines also go through both eyes. Before you can do any statistics you must adjust for the banding noise, shadow noise and visible contamination noise.

It helps to quote from something Barrie Schwortz wrote in 2009:

. . . the high resolution orthochromatic film used by Enrie, coupled with the extreme raking light he used when making the photographs, created an infinite number of patterns and shapes everywhere on the Shroud. Since orthochromatic film basically only records black or white, any mid-tone grays of the Shroud image were inherently altered or changed to only black or only white, in essence discarding much data and CHANGING the rest.

The grain structure of orthochromatic film itself is distinctive: It is not homogenous and consists of clumps and clusters of grain of different sizes that appear as an infinite myriad of shapes when magnified. It is easy to find anything you are looking for if you magnify and further duplicate the image onto additional generations of orthochromatic film, thus creating even more of these shapes.

Although Enrie’s images are superb for general views of the Shroud (they look great), they contain only a small part of the data that is actually on the Shroud so they are much less reliable for imaging research purposes and have a tendency to lead to "I think I see…" statements. I would feel much more confident if these claims were based on the full color images of the Shroud which contain ALL the data available.

As I used to try and explain to Fr. Francis Filas, who first "discovered" the rather dubious coin inscriptions over the eyes and who had enlarged and duplicated the Enrie images (through at least five generations – and always onto orthochromatic film), there is a fine line between enhancement and manipulation. Fr. Filas first presented his findings to the STURP team in 1979 and frankly, not one of the STURP imaging scientists accepted his claims.

And now Stephen, you suggest something that just isn’t true.

From other things Porter has written, for example, his preferring a naturalistic explanation of the Shroud’s image, I assume that he does not want there to be images of coins over the Shroud man’s eyes because that would be more problems for a naturalistic explanation of the Shroud’s image, and further evidence for a supernaturalistic explanation of it.

No. No. I don’t “prefer” a naturalistic explanation. I only prefer a true explanation. Less than a month ago I posted So which hypothesis, of all those ever proposed, do I prefer? in which I wrote:

I consider any image caused by radiation, of any kind, naturalistic. The only question is where the very natural radiation came from. I remain totally unconvinced from any evidence or by any argument so far presented that miracles produce energetic byproducts.

So which hypothesis, of all those ever proposed, do I prefer? None!

Let me repeat what I said: None!

Actually, I have a gut feeling that the image is miraculous in ways none of us have yet imagined (supernatural if you prefer that term). How is not something I am ready or able to articulate. I doubt the image was caused by the resurrection or by any energetic byproduct of the resurrection just as much as I doubt it is the accidental product of a pre/non-resurrection chemical reaction. 

Stephen, you conclude:

Therefore Porter blithely dismisses all the evidence above that there are Pontius Pilate coins over the eyes of the man on the Shroud with the `magic’ word "pareidolia"! But in so doing he goes far beyond what the word "pareidolia" means. However, Porter is welcome to his beliefs and I don’t see my role as convincing him, or anyone, but just presenting the evidence and letting my readers make up their own minds.

Blithely? You mean, lacking due thought or consideration? Talk about going beyond the meaning of a word.

I know there are still a few people who think there are images of coins over the eyes. That’s unfortunate.

A mysterious work of art?

May 4, 2013 54 comments

imageLee Krystek, on his excellent website, The Museum of Unnatural Mystery, after summarizing pretty much everything from STURP to Fanti’s latest, wraps up Visiting the Fake Shroud of Turin:

Probably one of the techniques that got closest to what we see on the Shroud (and by my thinking was probably the method used by the forger, if indeed the Shroud it a forgery) was done by Jacques di Costanzo, of Marseille University Hospital, in 2005. He had a bas-relief ( a type of sculpture that stands out from the background ) created that looked like the figure on the Shroud, then draped it with wet linen. He then let it dry so it molded itself to the statue and then dabbed ferric oxide, mixed with gelatine, onto the cloth. When the cloth was allowed to dry, then pulled off and reversed, the image resembled that of the Shroud. Most importantly the result had no brush strokes. The lack of brush strokes on the Shroud of Turin is often cited as an argument for it not being painted by an artist. [See picture below]

Does it Matter?

So, is the Shroud of Turin real or fake? Just looking at the replica it struck me how much the image on it seemed to be exactly what we might expect to see down to the blood dripping out of a nail wound on the hand. I’ve observed that things in the real world are rarely that neat and tidy. It reminds me of a minister friend of mine that remarks that he doesn’t like pictures of Jesus that make him look too "clean" and unreal. To me, the Shroud looks too perfect to be authentic.

At a certain level, does it really matter if the Shroud is genuine? Even if you can prove that the Shroud was actually used to wrap a victim of crucifixion in Jerusalem in the 1st century A.D., will you ever be able to prove that the person involved was Jesus of Nazareth? The Romans were not shy about nailing people to the cross and it could be one of hundreds of victims.

imageAnd even if you prove that it was Jesus, existence of the Shroud really doesn’t prove or disprove the central tenant of Christianity, which is that Christ rose from the dead. Proponents and skeptics seem to fixate on the Shroud as evidence one way or the other of the Resurrection, but it really isn’t.

And I think the Catholic Church, which has owned the Shroud since it was gifted to them in 1983, understands this. They take no position on the authenticity of the artifact, leaving it up to the individual to decide on their own what they think.

Perhaps we should appreciate the cloth for what we know it to be: a mysterious work of art. Perhaps produced by some unknown force of nature, a cunning forger, or maybe just a clever artist.

Phys.org story on Jacques di Costanzo work.

Categories: Image Theory, Other Blogs

Mark Shea is Confident

April 29, 2013 Leave a comment

imageMark Shea is pretty certain in an article simply called The Shroud of Turin that appears in the National Catholic Register:

Turns out the Shroud of Turin does date from the first century after all.  That’s because it is, as I have always thought, the burial shroud of Jesus of Nazareth. Unless, of course, you seriously believe that a medieval European forger just happened to have a 1300-year-old burial shroud (that originated in the Holy Land) laying around and decided to use it to conduct an absolutely unique and unrepeatable experiment in photo-realistic imaging on cloth.

Mark links to a story in the Vatican Insider which boldly says that in the lede. But it doesn’t say that in the article. It is a stretch. Better to say that Fanti thinks it could be first century. He continues:

At present, however, all the evidence we have accumulated keeps pointing–with a persistence galling to dogmatic materialists–to the image being what Christians have always taken it for: an "image not made by hands" that was somehow imprinted on the burial shroud of Jesus Christ. It is not "proof" of the Resurrection. Nor is it "scientific proof" of a miracle.  Science leaves off where miracles begin and the most the sciences can do is what they are currently doing: say, "We can’t explain how this image was created."  But for those who have placed their faith in Jesus Christ as Son of God and his Resurrection from the dead as their salvation, the Shroud is a particularly striking witness, as are the various other signs and wonders God has done down through the ages. It’s not so much food for the soul (the Eucharist is that) as it is a sort of vitamin pill for the soul.  If it turns out to be a fake, it turns out to be a fake.  Other fakes have happened.  But nothing in the core of the Faith changes.

I have an issue with Mark. He tends to conflate those who think it might be a natural image with those who think it is a fake. He also over simplifies. Plenty of Christians, too, think it is natural or think it is fake. But then he qualifies his ascertains:

Still, I have a high degree of confidence this will not turn out to be a fake, not because I believe it to be the burial cloth of Jesus by faith, but for much the same reason I have a high degree of confidence that Lee Harvey Oswald shot President Kennedy: because it’s the most sensible synthesis of the available physical evidence.  I have nothing riding on the authenticity of the Shroud.  I just think it’s the best explanation of all the data.

Categories: Image Theory, News & Views

John Klotz’ new Quantum Christ Blog

April 21, 2013 10 comments

imageHis first posting in very intriguing. I understand what John is saying because he is quite clear. On the other hand I have no idea what the answer is to his big question in the middle paragraph below.

Why this may be important is that to the extent the formation process operated non-orthogonally, the image on the Shroud would show some distortions. This may be  one reason why there is such a variance in claimed measurements. The simple version of  the process would be the image projected through a taut and therefore perpendicular Shroud. To  the extent the Shroud was not perfectly flat, the image would be distorted. It  is likely that Shroud image contained both orthogonal and non-orthogonal properties and that is what Adler is writing.

Now my question is this. Can we determine what part of the image is orthogonal (transmitted at a 90 degree angle to the Shroud) and what was non-orthogonal: (striking the Shroud at an oblique angle)? And, can we determine that angle and correct the image?

By the way, I am not saying that image was created by a laser. I am saying that the image formation process acted similar to a laser.

Source: QuantumChrist

Categories: Image Theory, Other Blogs

Antonacci Proposing Molecular and Sub-Atomic Testing To Resolve Disputes Regarding the Shroud

April 18, 2013 8 comments

clip_image001This is a rather extraordinary press release that was issued, it seems jointly by Monograph Publishing and Mark Antonacci (pictured), for release today. I’m a bit concerned about factual accuracy when I read:

More than a century of scientific and medical analysis has eliminated all proposed naturalistic and artistic attempts to duplicate the Shroud’s unique, full-length images. Only two hypotheses to explain these unique images have been published in peer reviewed scientific journals:

1) The Corona Discharge hypothesis, by Dr. Giulio Fanti, who led scientists at the University of Padua in Italy to challenge previous C-14 or radiocarbon dating. Using three different methods to test fibers from various locations throughout the cloth, these scientists obtained an average date of 33 B.C. +/- 250 years.

2) The Historically-Consistent hypothesis by Mark Antonacci that not only accounts for all of the Shroud’s unique body image features, but also its radiocarbon dating and its numerous non-body image features, which other hypotheses do not even attempt to explain (http://www.testtheshroud.com).

Anyway, here is the press release:

Monograph Publishing: One of the world’s leading experts on the Shroud of Turin, author and attorney Mark Antonacci, is petitioning Pope Francis to allow 21st century technology to be applied at the molecular and sub-atomic levels to Jesus’ purported burial cloth. Results of these tests would prove or disprove its authenticity and resolve the current dispute regarding samples that recently dated the shroud to 33 B.C. +/- 250 years.

St. Louis, Missouri (PRWEB) April 18, 2013

This unique cloth has only been scientifically examined in a comprehensive manner once, 35 years ago. While this examination revealed extensive, startling information, a new generation of promising research has since developed that could acquire far more information. Molecular and sub-atomic technology, applied to the Shroud could reveal its age, the cause of its unique images, the identity of the man buried within it, if it is a forgery and whether a miraculous event occurred to the dead body wrapped within it.

Antonacci proposes that multi-spectral imaging be applied to the entire Shroud. This innovative technology could scan the Shroud in only six hours and scientists could then spend years analyzing its data. It could map the cloth and identify not just every fiber of every thread, but what is on every fiber. It could identify tissue at the molecular level, as well as individual chemical compounds. Further information at the molecular level could be acquired using similar technology, such as Molecular Spectroscopy.

More than a century of scientific and medical analysis has eliminated all proposed naturalistic and artistic attempts to duplicate the Shroud’s unique, full-length images. Only two hypotheses to explain these unique images have been published in peer reviewed scientific journals:

1) The Corona Discharge hypothesis, by Dr. Giulio Fanti, who led scientists at the University of Padua in Italy to challenge previous C-14 or radiocarbon dating. Using three different methods to test fibers from various locations throughout the cloth, these scientists obtained an average date of 33 B.C. +/- 250 years.

2) The Historically-Consistent hypothesis by Mark Antonacci that not only accounts for all of the Shroud’s unique body image features, but also its radiocarbon dating and its numerous non-body image features, which other hypotheses do not even attempt to explain (http://www.testtheshroud.com).

Both of these scientific hypotheses involve radiation and an extremely unusual or miraculous cause of these images. Many Shroud scientists conclude that radiation was the most likely cause of the Shroud’s images. If the radiation explained in Antonacci’s hypothesis occurred, its source was the body wrapped within the cloth. Multi-spectral imaging could demonstrate or refute this scientific hypothesis, along with all other proposed hypotheses to explain the Shroud’s images or its radiocarbon dating.

Scientists recognize that one form of radiation, neutron or particle, would create new C-14 atoms or isotopes within the molecular structure of the linen, blood, limestone and other material that was on the Shroud or present at the time of the radiation. Scientific tests sponsored by The Resurrection of the Shroud Foundation (RSF) demonstrate these C-14 atoms survive heat, age and all pretreatment cleaning methods and would still be present today. If the Shroud was irradiated with neutrons, this event would necessarily refute the cloth’s radiocarbon dating because it would add C-14 atoms within the cloth’s molecular structure, making it appear much younger than its actual age.

New technology could demonstrate or refute that this event occurred! Neutron radiation not only creates new C-14 atoms, but also creates Cl-36 and Ca-41 atoms which virtually do not exist in nature. If such an event occurred, these rarest of atoms would still be present within the molecular structures of the linen, blood, or other irradiated material. The presence of these atoms, well above their infinitesimal natural levels, could only result from neutron radiation, which could not be generated by humans until the 20th century.

Interestingly, all three atoms (C-14, Cl-36 and Ca-41) are created by neutron radiation at rates that are known to scientists. Thus the amount of neutron radiation received by the Shroud, and the date this miraculous event occurred, can be calculated by scientists with the same accuracy as C-14 or radiocarbon dating. These tests could even be conducted on the original limestone walls of Jesus’ reputed burial tomb(s).

Antonacci has recently begun a direct appeal to Pope Francis, who has a Masters Degree in Chemistry to approve the application of molecular and sub-atomic testing methods to the Shroud of Turin. These tests, in combination with many prior test results and studies, could prove or disprove with objective, independent evidence that:

1. Particle radiation irradiated the Shroud of Turin linen, its blood and other material;
2. Particle radiation emanated from the length, width, and depth of the dead body wrapped within the cloth;
3. The event occurred in the first century to a first century cloth;
4. The event happened inside Jesus’ burial tomb.

Mark Antonacci, President
Resurrection of the Shroud Foundation
314-704-0537 – cell
636-938-3708 – office
markantonacci(at)testtheshroud(dot)com

About The Resurrection of the Shroud Foundation (RSF):
The RSF designs, advocates and funds some of the most sophisticated scientific testing of the 21st century. For the last two decades it has supported a variety of scientific research and information relating to the age, origin and authenticity of the Shroud of Turin.

About Monograph Publishing:
Monograph Publishing is a multi-dimensional company based in St. Louis, Missouri specializing in high quality publications, design, fine art prints and photography. http://www.monographpublishing.com

Oh, by the way, I think it is now well established that Pope Francis does not have a masters degree in Chemistry, not that it matters.

Sales and Amazon Reviews of Fanti’s New Book

April 4, 2013 4 comments

imageIn the last few days we may have withnessed the most explosive Shroud of Turin book announcement ever. At Amazon Italy (amazon.it), Giulio Fanti’s Il mistero della Sindone. Le sorprendenti scoperte scientifiche sull’enigma del telo di Gesù ranks #17 among book on Christianity – half of the books ahead of it are about the new pope – and ranks #284, overall, among all books. Surprisingly, there are no customer reviews, yet. But then, again, Amazon.it is small compared to amazon.com; even the number one ranked book on Christianity in Italy (specifically about Francis) has only one customer review.

The publisher’s description says so little. Here is a Bing translation from Amazon Italy:

"A mystery of the cross and light" quell’inspiegabile and irreproducible body image imprinted on the cloth is testimony to the passion and death of Jesus, but also of his resurrection. The words spoken by Pope Benedict XVI returned to the Shroud whole truth that scientific research had tried to resize. In 1988, in fact, with carbon dating l4, scientists determined that the Shroud dated from the Middle Ages. Today, thanks to a multidisciplinary work promoted by the University of Padua and lasted fifteen years, the team led by Giulio Fanti shows that the radiocarbon dating has been distorted by environmental contamination, and goes right back to the early death of Jesus that traces of dust, pollen and spores from the Middle East to direct, that the body has been depicted on the linen violence told in the Gospels of the Passion, and the image was produced by the exceptional radiation developed at the time of the resurrection. This book, co-written by Fanti and Saverio Gaeta, is the account of a discovery and the story of the extraordinary historical events of the most precious and revered relic of Christianity.

That’s it? Anything from anyone reading the book?

Recommended: Barrie Schwortz on CNN

March 30, 2013 Leave a comment

Amongst all the hoopla, I missed linking to this earlier. This is a very significant interview with Barrie Schwortz, founder and editor of Shroud.com with CNN about the appearance of the shroud on TV again, the failure of the carbon dating, the unsolved mystery of the image and the new iPhone app.  Click HERE or on the image to watch this four minute segment.

image

Of laser like light and scorching

March 21, 2013 23 comments

imageJohn Klotz asks of The image on the Turin Shroud: Is a laser like light the explanation? in his Living Free blog:

There is debate among individuals who study the Shroud of Turin as to whether or not the image of a crucified man that appears on it is a scorch. I think one of the problems when discussing the scorch theory is defining a scorch. In common parlance, perhaps all of parlance, a scorch is the result of extreme heat. However,  pure light can have effects that mimic a scorch when it ages something – as it can do.

As part of this question he wonders:

Applying Occam’s razor, could it be that the "simplest explanation" of the image is in fact the Resurrection?

I talked with John last evening. We are on the same wavelength on this – well almost, I think. I told him that my favorite concept from Thomas Aquinas had to do with a question about angels – Thomas was big into angels.  For me it is more metaphor. Anyway, the question is this. Must an angel in going from point A to point B pass through the in between? In other words does divine action require time, space and a process. For instance can you have a chemical change of state without a chemical reaction? When it comes to image formation, could it be by something other than light or any form of energy, as we imagine such processes occurring, because our view is so limited by the limitations of science? Is quantum physics a hint of something even beyond quantum physics? Is Resurrection beyond anything we can imagine? If light can do what heat can do can something else we don’t know about and don’t have a name for create/make/leave an image?

Is light a metaphor for something more than light?

Okay, Colin, I’ve created a problem for you. Your terms, “funny fizics, the conjured-up chemystery, and the fantasizing fizziology” just aren’t adequate to describe all this.

And John, maybe you don’t want to be on the same wavelength with me and my funny-fuzzy-filosophy.

Categories: Image Theory, Other Blogs

De Wesselow’ Story Spreads to the Mainstream Mother Nature Network

March 20, 2013 2 comments

imageMother Nature Network has picked up Stephanie Pappas’ article from LiveScience published last April about de Wesselow’s book. MNN is a significant MSM online family, lifestyle and environmental issues journal, with a large readership. So here it is again if you missed it before (I seem to have):

"It’s nothing like any other medieval work of art," de Wesselow said. "There’s just nothing like it." [Religious Mysteries: 8 Alleged Relics of Jesus]

Among the anachronisms, de Wesselow said, is the realistic nature of the body outline. No one was painting that realistically in the 14th century, he said. Similarly, the body image is in negative (light areas are dark and vice versa), a style not seen until the advent of photography centuries later, he said.

"From an art historian’s point of view, it’s completely inexplicable as a work of art of this period," de Wesselow said.

Note: The bracketed [Religious Mysteries: 8 Alleged Relics of Jesus] was not added to the text by me.

Scorching Theory: Pseudoscience or Miracle?

March 17, 2013 37 comments

BT writes:

clip_image001I want to pick up on a comment by John Klotz about scorching not disproving authenticity. I’ve been thinking about the scorch theory and how it might relate to the resurrection.

Forget about sand, charcoal dust or baby powder for buffering the process in ways that Colin Berry wants. The solution is so obvious. In the first instant of the resurrection the TSM turns to gold except for the bloodstains. The chemical reaction of this bit of miraculous alchemy produces extraordinary heat thus kicking off scorching of the cloth through conduction with what is in effect a metal statue. In the next instant the gold rapidly dematerializes. It happens so fast that the TSM space is now a near perfect vacuum. The cloth snaps shut. To speak of a collapsing cloth in this context is understatement. The near absolute zero temperature of the vacuum quickly chills the shroud and arrests the scorching thus confining the scorch to the first 200 or so nanometers. Scorching is the proof we have been looking for all these years. It isn’t by light but by turning to gold that we have an image.

I jest. The point is there is a lot of room for miraculous image formation and evidence that it might be a scorch changes nothing. Thoughts that a miracle is involved doesn’t make it pseudoscience. But fantastical speculations of life-size scorching statues, blood leaches and conspiracy theory from souvenir medals is pseudoscience in full flower.

That is not what one would expect to see if the blood-first dogma were true.

February 26, 2013 55 comments

imageBack on August 1, last year, Colin Berry wrote the following in his blog:

As I’ve said before, the view, nay dogma,  that the bloodstains were imprinted before the body image arrived rests on  somewhat token and insubstantial evidence based on a single spot test with proteolytic enzyme on a microscope slide. I have to say that I am not in the least bit surprised that a STURP finding that provides a pro-authenticity answer should be instantly and uncritically accepted without anyone ever suggesting that independent confirmation is desirable by other workers using other methods. For my part I have used Shroud Scope to look closely at areas where there are both blood and body images. Not only do I see superimposition, but am fairly confident that where there is superimposition in patches where blood image has flaked away

A couple of days later a reader wrote to me saying:

A couple of days ago Dr. Collin Berry made a rather significant comment and you ignored it completely. Instead you mocked his ideas about the blood stains being touched up over the years by well meaning monks. This does not make for dialog that arrives at the truth, which you say you want.

imageThe criticism is justified. However, some of what Colin has to say gets lost in his extreme polemics and over-the-top speculations. Anyways, that’s my excuse.

At the time, or so I thought, we addressed the issue in a posting, Did the bloodstains really precede image formation on the Shroud of Turin?, with all of its comments and the reference to Adler’s paper. Kelly Kearse challenged the accuracy of Colin’s characterization of Adler’s analysis as being “somewhat token and insubstantial evidence based on a single spot test.”

You may recall, at the time, that I used the cartoon of the baying dog. The cartoon was right given that I had ignored Colin on this. Colin is still right in persisting because he is really looking and questioning. He writes today of the following contrast-enhanced picture from Shroud Scope:

imageIt’s a blood stain on the hair, with a nice contrast between blood (plum colour) and hair (greyish-brown). What seems clear is that blood has flaked off in places, shown by instances of hang-up in the interstices and crevices of the weave. Now look closely in those areas that are largely denuded of their blood, and one will see continuity of hair image across those regions. That is not what one would expect to see if the blood- first dogma were true. If an acquired blood stain on otherwise pristine linen subsequently acts as a barrier, preventing image being imprinted onto the linen carbohydrates, then when that blood flakes off, maybe centuries later, one should NOT see hair or other body image. But one does!

This does warrant our attention. (I would love to see the unenhanced side-by-side with the enhanced version of the image and information about exactly how the enhancement was done.)’

Is dogma the right word? Have we settled too much on merely citing papers rather than finding ways to seriously question ourselves over and over? Wait a minute! Has blood flaked off or are we jumping to conclusions? If Colin is right in that assumption then I must wonder if I am seeing what I think he is seeing?

One Handed Clapping for Colin Berry’s Criticism of the Colorado Paper

February 18, 2013 10 comments

imageA reader writes:

I just finished reading Dr. Colin Berry’s criticism of the Shroud Center of Colorado and the paper it just published entitled, “The Shroud: A Critical Summary of Observations, Data and Hypotheses,” by Robert W. Siefker and Daniel S. Spicer. With one hand held behind my back I applaud Dr. Berry. Had he done the work he demands of others to advance his own mostly visceral notions about scorching then my applause would have been thunderous and I would have been on my feet.

I should explain something about myself. I am a physicist (and because of my significant position in a large corporation I would prefer that you not publish by name). I am also a theologically liberal Christian. For instance, I believe that the resurrection of Jesus was physical only in the sense that the body was buried in a tomb that was later found empty. Moreover, this was not because of theft or because his followers forgot which tomb it was. Nor was it because Jesus swooned and recovered. To try to add one jot to the story by imagining new scenarios us folly. This includes dematerialization and speculative resurrection products like radiation, light, heat or anything. To try to prove any of this using the shroud and because of the shroud and thus even trying to prove the resurrection is double the folly.

Nonetheless, I am almost certain that the shroud is the genuine burial cloth of Christ. And I am just as convinced that no one yet has even imagined how the image was formed. That is just as true if I a wrong about authenticity.

I should mention that Dr. Berry may have misunderstood the use of “luminance distribution” by Jackson and the Colorado authors. Thus Dr. Berry seems completely confused which leads him into an irrelevant discussion about photochemistry. Luminance, as I think the authors used the word, means the amount of reflected light as measured by a densitometer.  It has nothing to do with how the image was formed. Dr. Berry should correct this or explain why he is not confused. 

I should not be too critical of Dr. Berry for misunderstanding the all too sophomoric Colorado paper. It is confusing. And the bit about KHS and KC, as they say in the Master Card ad, PRICELESS.

BTW. Dr. Berry is every bit as agenda driven as those he accuses. They say it is hard for a scientist to notice this in himself.

Colin Berry’s Big Day Tomorrow

February 16, 2013 18 comments

clip_image001In a comment, here, he informs us:

. . . Tomorrow’s my big day. Tomorrow’s when I finally tackle head-on the surviving Mr. (Dr.) Big of STURP and indeed Shroudology, after trying to keep a safe distance from this ‘big hitter’ for the best part of a year. Can you guess who? I don’t suppose he’ll be quaking in his shoes – but I will…

On his blog he tells us:

Next topic: Focus on Dr. John Jackson of the Shroud Center of Colorado, his continuing, and, to my way of thinking, inexplicable advocacy of radiation over contact scorching, and his apparent blind spot for heat transfer of the third kind in that strange preoccupation of his with ‘cloth-body distance’.

Here’s a taster (or should that be teaser?):

And he provides this visual aid with some text:

clip_image001

John Jackson’s view of cloth-body distance when a sheet of linen is draped over a corpse with no applied forces except those of gravity…
Would it really do that between chin and chest? Did a side strip (“selvedge”) have to be snipped off and used as a neck-encircling binding to achieve that effect – and then later re-attached in the interests of archival completeness?
(Occam’s razor?)

Should be fun to follow.

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